11/7/2023 0 Comments Ellie rowsell wolf alice![]() “It felt like a whole year’s worth of feelings and experiences condensed into seven days,” adds Amey. “We had a gig in New York, then a TV show in Los Angeles, then we came back to play Glastonbury and the record was out so we were reading everything people were writing about us, digesting all this stuff…” The week of its release, when it entered the charts at Number Two, “was probably the most surreal experience of the whole cycle – how high-octane it was, how unbelievably happy everyone was feeling,” says Ellis. Whatever visions Wolf Alice had of their lives prior to the release of their 2015 debut ‘My Love Is Cool’, the response to that record swiftly surpassed even the wildest, most out-there of them. That’s what our songs are, I suppose – visions and little bits of life that somehow get made into music.” It really resonated with me because I spent my whole childhood not playing with toys but playing inside my head and acting it out. It’s my auntie in the picture, and she actually did become a dancer, so that vision came true. ![]() Then there’s the album artwork, a picture of a girl in a frock dancing around a podium with a horse’s head on it – she obviously had some vision of a life that she was playing out. That phrase just felt like a poetic way of expressing it. “Even as a kid,” she says, “I would play pretend and wish I was an adult, and now that I’m an adult I sometimes wish I was someone else. It’s a habit that gave Wolf Alice’s new album ‘Visions Of A Life’, due for release on September 29, its name. By her own admission, she’s prone to spending a lot of time lost in thought, “constantly musing about and mulling over things”. It’s not that she’s aloof or unfriendly so much as introverted and withdrawn she spends much of our interview shifting around restlessly in her seat, her voice rarely registering above a whisper. I’m reminded of that scene as I watch bassist Theo Ellis, guitarist Joff Oddie and drummer Joel Amey goofing off with props they’ve found strewn about the East London studio where their NME cover shoot is taking place, staging wacky races astride miniature fibreglass bikes, boats and sports cars while Rowsell sits off to one side, wordlessly scrolling through her iPhone. “She does talk,” comes the whip-smart reply. ,There’s a brief scene in On The Road, director Michael Winterbottom’s upcoming docu-drama hybrid set against the backdrop of Wolf Alice’s 2015 UK tour, in which a roadie jokingly asks one of Ellie Rowsell’s friends if the frontwoman was more talkative when the pair were at school together.
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